Finishes
One film, four families of finish
Every Stanley front is wrapped in PVC film — the surface that lets a kitchen take steam, splash and daily contact without asking for patience in return. The collection is kept deliberately narrow: four families of finish, each obsessively matched in tone, so a kitchen reads as one idea instead of a catalogue.
Matte
Our most specified family. A low-sheen PVC film that reads like lacquer under gallery lighting and wipes clean under a thumb. Anti-fingerprint topcoat throughout.
Gloss
A polished film with mirror-adjacent reflectivity, tuned slightly warm so white fronts stay white and grey fronts stay interesting. Doubles daylight in narrow rooms.
Wood grain
Synchronized-grain films printed and embossed in register — run your hand across a walnut front and the grain is there. All of the warmth, none of the movement.
Textured
Concrete and linen embossings that hold shadow the way raw material does. The finish most often mistaken for the thing itself.
Custom colors
Beyond the standing collection, fronts can be matched to any reference under NCS or RAL. Bring a fabric, a stone, a photograph — the laboratory returns a wrapped sample within two weeks.
See the samples in person
Finish cards photograph honestly and read differently in your light. The showroom keeps every current sample on the wall.